Huck Finn: an American Masterpiece Essay

For more than two centuries, Ameri basis authors eat consistently produced outstanding works that have achieved national sycophancy and international recognition. M all of these works have achieved have come to be celebrated as masterpieces in American literary works and influential in the shaping of our nation. Since its publication in 1884, Mark bridges The Adventures of Huckleberry Finn has go to such a status and has been added to the curriculum of most schools. Unlike any other fabrication of its time, Mark gallus wrote an organic, realistic story wasted from his protest personal struggles with being sivilized into the proper manners of society.He utilize several literary techniques and methods to insure that his novel would be considered a classic. terzetto significant purviews of Mark bitstocks The Adventures of Huckleberry Finn embarrass the go for of the vernacular, the use of satire, and the projection of uncouth life in the South. One significant facial g esture of Huck Finn is the use of the vernacular. One cant open the novel without noticing distinctly Southern terms like bullyragged and corn-dodgers. This use of the everyday phraseology of the common folk adds a great deal of authenticity and credibility to Hucks adventures.Each character has his or her own fighting of a Southern twang. For example, the Dauphin has a traditional, simple accent when he announces to the Wilks family, Friends all, my poor brother that lays yonder has done generous by them thats left over(p) behind in the vale of sorrers (214). Nonetheless, the vernacular is most prominent when Jim speaks. For example, when he explains to Huck why Solomon wasnt wise, he says, I doan kyer what de widder say, he warnt no wise man nuther. He had near er der dad-fetchedes I ever see (100).In fact, Twains novel was far ahead of its times. Something new happened with Huck Finn that had never happened onward in American literature. Its a bulk that deviated from the well-mannered incline tradition of the times. Twains novel allows a different affable of writing to happen? a natural, realistic kind of writing that jumps make the page with energy and enthusiasm. Indeed, Huck Finn isnt a book that can be read. Its a book that talks. Another well-known aspect of Huck Finn is the use of satire.Twain uses this to explore and poke fun at many aspects of society, and uses Hucks actions and thoughts to make things like education and the science of Solomon seem impractical. Religion is frequently satirized in the novel. When Widow Douglas tells Huck intimately Moses, Huck thinks to himself why she wont let him smoke, Here she was a-bothering round Moses, which was no kin to her, and no use to anybody being gone, you see, yet purpose a power of fault with me for doing a thing that had some unafraid in it (Twain 3). He doesnt see the point in troubling about people who died three-thousand years ago.Twain satirizes religion again when he describes the Shepherdsons and Grangerfords listening to a sermon about brotherly love at church with guns in between their knees. He also satirizes the Victorian gardening of the time period. When Huck arrives at the Grangerford mansion, he is in awe at the intricate and ornate artwork in the parlor. He comments, ? there was pretty-pretty curtains on the windows white with pictures painted on them of castles with vines all down the walls, and cattle coming down to drink (Twain 134). Twain uses Huck to show his own views of the period.Scenes like the one describing the clock on the mantelpiece clearly put the message across that the Grangerfords furniture and decorations are both tacky and absurd. Indeed, Twain has much to say about society and uses his characters to get his point across. The polish noteworthy aspect of Huck Finn is its depiction of pastoral Southern life. Twain mentions several instances where Huck and Jim are free from the social constraints and problems of sivilized society, describing vivid scenes that call up to mind watching the sunset across a pond as the crickets chirp among the cattails.Huck and Jim are sincerely yours free to do as they wish on the lazy Mississippi. Here, Huck treats Jim as an equal without a care as to what others may think. Before the two run into the Duke and the Dauphin, Twain describes the wind along the water, Then the nice breeze springs up, and comes fanning you from over there, so cool and fresh and sweet to smell on account of the woods and the flowers (Twain 151). This tranquil moment demonstrates that the South isnt all about bondage and racism. Its about enjoying life without all the worries and duties.Thanks to Twain, the American idol of freedom is Huck and Jim rafting down the Mississippi. Twain also depicts the pastoral holy person when he describes the Phelps farm as Sunday-like and hot and sunshiny (Twain 278). He goes on to depict a picturesque farmhouse and lazy gardens. The pastoral ideal has been used to furbish up the meaning of America since its discovery, and it has not yet lost its hold upon the imagination. old-time scenes like these resonate in Americas heart, hitting string that evoke a desperate longing for a laidback, carefree lifestyle.This truly is the closest thing there is to perfection, and Twain himself felt an affinity with this pastoral Southern life. Mark Twains The Adventures of Huckleberry Finn will forever be revered as a classic in American literature thanks to his artful style and clever technique. Three significant aspects include the use of the vernacular, the use of satire, and the depiction of pastoral life in the South. These characteristics have made this masterpiece what it is today and have captured the hearts of countless Americans and foreigners alike. virtually importantly, Twains work set a precedent for in store(predicate) novelists for years to come through its witty language and unique personality. As author Ernest Hemingway comm ented, All unexampled American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was goose egg before. There has been nothing as good since (348). Works Cited Hemingway, Ernest. All modern American. . . The Columbia Dictionary of Quotations. Ed. Joseph R. Strayer. 1 vol. New York Columbia University Press, 1995. Twain, Mark. The Adventures of Huckleberry Finn. New York Pocket, 1994.